The St. Johns Parade is this Saturday, May 10th! We will be open regular hours, 9am-5pm, but parking in the area will be very limited. Be sure to plan ahead if you are making a trip to the shop!
Typically, the darkening of the skies and the first, fat drops of rain hitting the sidewalks would be a danger call to film cameras, a signal to pack up those precious cameras and head for home. There are, however, a few film cameras that scoff at inclement weather. These cameras continue on with their work, while their less water resistant brethren scurry home - such is the Minolta Weathermatic 35 DL aka the Weathermatic Dual 35. This robust, 35mm, compact camera is perfect for rainy days! In fact, thanks to rubber gaskets sealing off the back door and battery chamber, along with a sealed glass cover over the lens, this camera can even go underwater (up to a depth of 5m).
The cherry on top of this rain-resistant cake is its dual-lensed system, which allows the user to switch between either 50mm or 35mm focal lengths with the press of a button. There is also a built-in flash and a close-up mode, intended for underwater, but usable out of water as well. Exposure is set automatically by the camera's meter, so operation is very point-and-shoot.
Too often we let our notions of "bad weather" stymie our photography. This is often, in part because we are not well equipped to comfortably operate in such weather. Well, fret not! Grab a rain jacket, some good boots, and a Minolta Weathermatic Dual 35 and get out there! This camera will give you a good reason to linger outside once the rain clouds start building overhead.
za/sd
Minolta Weathermatic Dual 35 with Kentmere Pan 400
Over one of our snowy winter weekends we were looking for a camera to borrow from the shop for testing. We were hoping for something a bit different than usual, as well as something that would be well suited for the cold and icy wintry conditions we expected to have it out in. As luck would have it, a Minolta Weathermatic Dual 35 was in the queue for testing and it seemed like a great fit for our needs. While originally billed as mildly waterproof, these days due to the aging of the rubber seals in the camera that capability should be accepted with extreme skepticism. While we never encourage photographers to actually dunk these cameras in water anymore, they do still make great all-weather cameras due to their robust sealing. So what better choice for lingering at the base of frigid and icy waterfalls?
Our film of the moment at that time was Kentmere Pan 400. We have a library of sample images made with almost every film in our inventory. But there are some gaps, and we are always looking to expand and update that library. Kentmere Pan 400 was one of the aforementioned gaps. While not our first choice for a black and white, somebody had to shoot it and get some firsthand intel on it. With its coarser grain, slightly flat contrast and less rich tonality, the film was more or less what we expected it to be. But it is nonetheless always good to "put a face to the name" so to speak. Meanwhile it is still on our to do list to try this film in 120. Perhaps if we get another snowy weekend before winter wraps up.