The 4x5 version of the Graflex RB Super D was produced between 1948-58. It was an update on the popular Series D that came before it.
One of the biggest changes is flash synchronization with the focal plane shutter for more robust flash photography.
Perhaps the coolest upgrade is the automatically stopping down aperture mechanism that allows for the presetting of the aperture before firing, but keeps the lens wide open during composition and focusing. The mechanism is not fully automatic - it requires a reset after each exposure, but still, that's not something you typically see on large format cameras.
The Super D has interchangeable lens boards; the common "standard" lens is the Ektar 190mm f/5.6.
These cameras, despite often being referred to as press cameras, are typically more popular with portraitists. An automatic iris in a handheld SLR 4x5 camera can be considered a miracle for most portrait needs.
za/js
Olivia Bee with her Graflex RB Super D
A portrait of Olivia Bee with her Graflex RB Super D, made by Peter Carlson.
Olivia has been a customer with us for a few years now. She has developed quite a bit of celebrity as a photographer, but you'd never know it from working with her. She is pleasantly down-to-earth, incredibly prolific, and is always working with new cameras and on new projects. In the past year, she has purchased both this Super D 4x5 and an 8x10 camera - which she has been using to shoot both b&w and color. Side note: 8x10 color negatives are so incredible.
She came by the shop the other day with her Graflex, so Peter asked her to pose out front with it, making this image using his Pentax 67 and Kodak Tri-X. Our customer base is incredible - so many incredible photographers and so much incredible work - so we're pretty appreciative of Peter's efforts to portray them as they are with the equipment they love.