The Magazine Cyclone cameras were a series of "drop plate" large
format cameras produced by the Western Camera Manufacturing Company of
Chicago, Illinois during the 1890s. Their most notable feature was
their ability to be loaded with several plate/sheet film holders ahead
of time, and then, after each exposure, by the twist of a knob, the
exposed frame would be dropped down into the bed of the camera, readying
the next sheet for exposure. It was this unique process that allowed for fast operation.
The Magazine Cyclone consisted of an
achromatic meniscus lens behind a simple self-arming shutter. Early
models of the Magazine Cyclone had only two shutter speed options:
Instant and Time. It also had a single aperture and fixed focus -
though a later, "improved version" offered multiple apertures and a Bulb
mode, instead of Time mode.
Several different versions of the
Magazine Cyclone were made, as distinguished by their number. The No.1 produced twelve 2.5 x 2.5 inch exposures, had only a Time and Instant shutter, and a single aperture. The No.2 was the same as the No.1 but made slightly larger, 3.25 x 4.25 inch exposures. The No.3 was the same as the earlier models but used 4x5 inch plates and film. The No.4 made the same exposures as the No.2, with the change to Bulb mode instead of Time mode, as well as adjustable apertures. The No.5 made the same exposures onto 4x5 inch plates and film as the No.3, but with Bulb mode instead of Time mode and with adjustable apertures.
After
1899, Western became a part of Rocherster Optical & Camera Co (which
would go on to become the Kodak we know and love) and revised versions
of the Magazine Cyclone and Western camera would be sold into the early
20th century.
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Magazine Cyclone Ad Copy
Excerpted from a Rochester Optical & Camera Co. brochure proclaiming the many wonderful traits of the Magazine Cyclone camera. Too good to pass up sharing...
"Perfection in the construction of Magazine Cameras has apparently been reached in the CYCLONE and WESTERN models, for certainly no instruments approach them in simplicity, ease of manipulation and excellence of results obtained, as can be attested by hundreds of enthusiastic amateurs. Magazine cameras of various types have been placed before the photographic public for several years, but not until the Cyclone made its appearance did this style of Camera really become popular. Considering the brief time that Cyclone Cameras have been on the market, the remarkable success achieved can be regarded as nothing short of phenominal [sic].
But the explanation is not difficult.
Cyclone and Western Magazine Cameras are equipped with the best Lenses, Automatic Shutters, in fact everything that we can devise or produce to obtain a perfect picture with the least manipulation. The ease with which a beginner can handle Cyclone Cameras makes possible satisfactory results with but little knowledge of the art of picture taking.
Glass Plates or Film-which?
This is a question oft-times puzzling to the novice in photography. Cyclone and Western Magazine Cameras are arranged to carry twelve Glass Plates.
Why?
Simply because it has been demonstrated time and again that the average amateur obtains a far greater percentage of perfect negatives from the old reliable glass dry plate. Ask the first amateur or professional friend you meet.
Again, glass plates cost only about one-half to two-thirds as much as film. Moreover, there is only one kind of film for all classes of work. ·With glass plates you have the choice of several different kinds, each one being adapted to its own particular field of work. There is the ordinary dry plate for regular instantaneous and time exposures, the Non-Halation plate for the purpose of making interiors, and the Isochromatic or Orthochromatic plate particularly adapted for rendering correct color values.
Once more, Cyclone and Western Magazine Cameras are so constructed that any number of plates can instantly be removed after exposure, for the purpose of development, without disturbing the balance. ·With: film, the whole roll must be exposed before any portion can be developed.
'Tis true that film is somewhat lighter than glass, but what is a few ounces saved in weight compared with the advantages of plates, aside from the feeling of certainty regarding results which one possesses when operating a Camera loaded with glass plates.
Cyclone Cameras for 1900 contain all modern improvements, and we are confident during the coming season their many meritorious features will strongly appeal to a very large number of amateur photographers."
"Cyclone and Western Magazine Cameras"
- Rochester Optical & Camera Company
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How to Load a Magazine Cyclone No.3
Here we have the Magazine Cyclone No.3, made by the Western Camera Manufacturing Company of 137 Wabash Ave, Chicago, Illinois circa 1897-1899.
Why is it called the Cyclone, you might ask? Twelve pictures in twelve seconds is the likely answer. With this camera, a photographer at the end of the 19th century could be a veritable whirling dervish of capturing light and time.
The way the Magazine Cyclone worked is relatively straight forward. Twelve individual plate or film holders would be loaded in through the back of the camera - done in the dark, of course. Once loaded up, the camera could be carried around at your leisure. After each exposure, a knob on the top of the camera would be twisted, which would release the exposed plate in its holder, allowing it to fall forward into a storage area at the base of the camera. This action primed the plate behind it for the next exposure.
While we cannot realistically imagine a photographer running through twelve exposures in such a way in a mere twelve seconds, it is conceivably possible. At the very least, such a camera did make shooting large format plates and film a much faster process. Later models of the Magazine Cyclone added a second door in the bottom of the camera so the exposed plates could be removed independently of the unexposed plates.
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Magazine Cyclone No.3
Meet the Magazine Cyclone No.3 camera, built around 1897-1899, in Chicago by the Western Camera Manufacturing Company (before they were bought up by Rochester). This camera is a great challenge to the photographer who thinks they have everything because, odds are, they do not have a Cyclone. Other than the amazing amount of history scrawled into the scratches on the surface of this camera, the camera is pretty cool just in the pure form of function. In our current era of roll film, we have become so spoiled by not having to unload/reload the camera after each image. The Magazine Cyclone could hold a stack of 12 glass plates, dropping each one onto a lower stack, internally, after exposure. Even better, the No.3 model is 4x5. This is quite a cool camera.