Leica introduced the M2 in 1957 as a less expensive variant of the M3, which had become the tool of choice for many photojournalists and other professional photographers after its 1954 debut. In order to make the camera more affordable, Leica made a variety of internal and external changes to the M2. These included replacing the automatic film counter with a manually-reset disk beneath the advance lever, removing the beveled detailing around the viewfinder windows, and replacing the glass frameline illuminator window with a plastic fresnel. The most critical change was the replacement of the M3's 0.91x magnification viewfinder (which had 50, 90, and 135mm framelines) with a 0.72x magnification finder that featured 35, 50, and 90mm framelines. While this decrease in magnification reduced focus accuracy, it allowed for accurate framing of 35mm lenses without an external viewfinder, a huge advantage as 35mm lenses became more popular.
While initially conceived as a less expensive version of the M3, the M2 would actually become the basis for all successive Leica rangefinder cameras, which still use 0.72x magnification finders today. The M2 is the original Leica M for shooting with 35mm lenses and makes an excellent photographic companion.
Leica M2 in Black : A Brief History
As much as there is to say about a black paint Leica M2, what we would really like to do is listen - to hear its stories.⠀
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Every camera has a story, here is a little bit of background on this black Leica M2.
What initially piqued our curiosity about this particular camera is the name engraved on the back of this camera, an engraving presumably done at the Leica factory itself. According to its serial number, this camera was produced sometime in 1958 or 1959 and customized with the original buyer's name. Using the last name, we went off on a quick search and found a fellow born in Ohio in 1914, who likely bought this camera when he was in his mid-forties. He later moved to North Carolina, where he appears to have taught forensic photography at a community college for many years before passing away at the age of 90 in 2004.
Even with our research filling in the big gaps in this cameras history, there is still so much more we do not know.
It is easy to get caught up in the value of the piece, the quality behind and the reputation of the Leica name, and to forget that this camera belonged to someone. A person's hands rubbed off that paint while making countless images over countless days and months and years, untold breaths fogged rangefinder windows, and innumerable frames of film exposed.