In the realm of Twin Lens Reflex (TLR) cameras, the conversation is pretty well dominated by just a few brand names: Rolleiflex, Yashica, and Mamiya, in particular. That doesn't mean, however, that there aren't other solid options for someone looking to get into the TLR world. After seeing the success of Rollei's Rolleiflex cameras, Zeiss Ikon introduced its original Ikoflex camera, in 1934. The original Ikoflex varied, in a few respects, from its predecessors; the most notable being that the film traveled horizontally across the back of the camera instead of vertically. While this design choice was certainly unique, it gave the original Ikoflex an odd look that earned it the nickname, the "coffee can." By the time of its first redesign, the Ikoflex had squared up its look and turned the film transport 90 degrees.
Zeiss fitted the Ikoflex I with a 75mm f/3.5 Novar Anastigmat taking lens that, while adequate, did not provide the same quality optics of the more expensive Tessar lenses used by the Ikoflex's competitors. Another issue with the Ikoflex is the fairly clunky shutter speed and aperture controls. While Rollei has two knurled wheels on either side of the front standard that control exposure, the Ikoflex I has two smaller levers that can be difficult to adjust. Lastly, the shutter release button is located on the top of the camera, next to the focusing screen, not the most ergonomic design choice. All told, the Ikoflex I is definitely a camera that needs to be learned to be appreciated.
What the Ikoflex I may lack in features and quality lenses, it certainly makes up for with its price point. The Ikoflex I is an affordable way to join the world of TLR photography, and finding them is relatively easy. While learning them requires a bit of patience, appreciating them is a true breeze.
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Ikoflex I
We are fairly sure, given the complex naming history of their cameras, that the Ikoflex I was made by Zeiss Ikon. The Zeiss Ikon brand name fascinates us. The company was formed in 1926, from the merger of four other German companies, one of which, Ica, was itself formed by the merger of four other companies. Another one of the companies in the merger, Contessa Nettel, came from the merger of two other companies. All in all, the origins of Zeiss Ikon has its roots in eight different German camera and optics manufacturers... not to mention financial assistance from Carl Zeiss Jena. With such a convoluted history, perhaps it's not so surprising that the company's variety in how they labeled their cameras would also be both vast and complicated. We're not going to go down that rabbit hole today because, for as much as we love the minutiae of camera history, it ultimately is distracting from this gorgeous TLR.
Is the Zeiss Ikon Ikoflex right for you? Let us offer some traits that will guide you to your answer. You have a hole on your camera shelves that is approximately the size and shape of a German TLR... but you don't have the budget for a Rollei. You love that boxy, 1940/50s aesthetic, with its chrome trim and black leatherette. It may be as subtle and sophisticated in its design as a Minolta Autocord, but it has a simple beauty all its own (and we'd daresay is more fetching in appearance than a Yashica-Mat). You appreciate a camera that makes you work, just a little bit, to make everything happen. The Ikoflex has a slightly complicated loading process. The shutter is not armed with film advance and this extra effort can be empowering, when everything goes right. You also like lenses with character. Sharpness isn't everything, other qualities of optics make for nice images too; these early East German optics tend to have them aplenty.