When you hold a Linhof Technika IV in your hands, assess its multiple capabilities, feel the refinement of its design, it may surprise you to discover that this camera was introduced over 60 years ago. Made between 1956 and 1964, the Linhof Technika IV was an evolution of the Technika III. Generally, the camera can be classified as a technical field camera, though it also closely resembles the Graflex Crown Graphic press cameras.
The Linhof Technika IV is a heavy duty and rugged large format camera that is capable of folding up into a self-enclosed metal box. Quick to set up and close down, the camera is highly portable, durable, and fast to use. On top of that, it is capable of a large array of movements including a center axis front tilt, rise, shift, and swing. This last is one of the big improvements the Technika IV made over the Technika III. Additionally, the camera has a rotating back and rear bellows extension, to allow it to focus much closer for technical work or to better accommodate telephoto lenses. This rear bellows extension can also be used to give the camera a rear tilt and swing.
The primary difference between a Technika IV and a Super Technika IV is the latter had a built-in coupled rangefinder. The Technika IV would eventually be replaced by the Technika V, which only made minor improvements and is essentially the same camera.
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Linhof Technika IV
We expect that the Graflex Speed and Crown Graphic cameras will always be our favorite "press-style" 4x5 cameras but you have to have the heart and imagination of a rock to not be impressed by the Linhof Technika cameras. Our favorite of the line is the Technika IV (or Super Technika IV, if you like having your rangefinder). These cameras are so solid and so precise, they do practically everything you want such a camera to do, and then surprise you with even more features. Plus, they're beautiful. ⠀
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The Technika IV has a full range of front movements; plus, if you use the rear bellows extension, you can simulate rear swing and tilt. The front tilt is center axis, it moves both forward and backward. Speaking of that front standard, it may be the most rigid of any camera out there. The rangefinder cams are ultra-specific and proprietary, which can be a pain, but it also makes the rangefinder super precise.⠀
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Linhof Technika IV at Haystack Rock
Camera or no, the call of the ocean provides a restless westward pull.⠀
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Here, a Linhof Technika IV patiently waits it way through an eight minute exposure.
It is moments like this that long exposure work is particularly enjoyable. Sit down in the sand, maybe close your eyes, listen to the ocean, and watch the light move across the world.
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Linhof Tech IV with Schneider 150mm f/2.8
The Linhof Technika IV is such a beautiful and functional 4x5 camera. If you own a Leica and a Hasselblad, the Linhof completes the trifecta. But what you really want to make note of is the Schneider 150mm f/2.8 Xenotar. This is not something you will see often, if ever again; this lens is beyond beautiful.
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Linhof Technika IV with Xenotar 150mm f/2.8
Sometimes its a shame to see such beautiful equipment leave the shop, such as this Xenotar 150mm f/2.8 lens, but it's also so exciting to see it go into good hands.
Linhof Tech IV in action at the shop
A little BTS photography of a Linhof Technika IV in action. Thanks to the infamous, Jim Hair, for getting this shot of Zeb Andrews in "front" of the camera for a change.
Linhof Tech IV twins
The Linhof Technika really does have presence about it, one that is very self-assured and highly competent.
Linhof Technika IV POV
Looking over the shoulder of a Linhof Technika IV in the midst of a 24 minute exposure testing out the reciprocity failure characteristics of the Atomic X film from New55... when your job entails such "work", you are in a good place.
Linhof Technika IV
A Linhof Technika IV eclipsed in a reverse spotlight, of sorts.
Linhof Technika IV
We saw a headline in the news this morning, regarding a scientist who had, reportedly, created a small black hole in his laboratory. That headline reminded us of this Linhof Technika IV that had been sitting on our shelves. How are a Linhof and a black hole related, you ask? We don't know much about black holes and much of what we do know came from the movie Interstellar. What we do understand is that they exert a humongous gravitational pull. Any bodies getting too close become trapped in their grasp. They even pull in light. Within their sphere of influence, time does funny things, what could be minutes to you becomes hours or days to others. The reality of the universe is altered...
Now you tell us, are we describing a black hole or this Linhof Technika?
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Linhof Technika IV in Winter
The snow is going to start rapidly vanishing over the next few days, but this Linhof Technika IV will remain timeless.
Linhof Technika IV
When the weather gets tough, the tough get tough cameras. Hard to get tougher than a Linhof Technika 4x5.
This camera could beat up any weather.
Linhof Technika IV
The Linhof Technika camera is such a well-built beast of a camera. It makes is a real pleasure to take out into the field. Sure, your back may not thank you for lugging it on the 1.6 mile muddy trek through a coastal forest, but its complaints will be forgotten once you find yourself atop a solitary peak, looking out over the vast expanse of water in front of you, tilting and shifting and focusing and exposing. Being out there with a camera like this, and the pleasure that comes with using it, makes the toil all the more worth it.⠀
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We prefer the Technika IV to all other Technika large format models, by the way. The Technika V is not really that much different, but we are not big fans of the lever action rise. We much prefer the mechanically-simpler method of the Technika IV.