Released in 1975, the Minolta XE-5 is a lower-spec'd version of the popular Minolta XE-7; however, being a simpler version doesn't mean the XE-5 isn't well stocked in merits. The camera is well-built and extremely capable, plus, most of the features it lacks compared to the XE-7 are those that go without missing. The camera features full manual exposure control, as well as aperture-priority auto exposure. It has a shutter speed range of 1/1,000, all the way down to 4 seconds - plus a Bulb mode - all in front of a vertically-traveling, metal shutter. It has an ISO range from 12-3200, with exposure compensation from +2 to -2, and a bright, uncluttered viewfinder that is easy to use. The camera's shutter is electronically controlled but it does feature a mechanical 1/90th of a second speed, in case of dead batteries.
za/sd
Minolta XE-5
Initially, this XE-5 got our attention just because it looked so nice sitting on our shelves. Something about the understated elegance of its lines. That chrome and black design... It's a beautiful camera, is it not?
But what about the XE-5? Is there any substance behind that beauty?
In a lot of ways, you can think of the XE-5 as a fancier SRT camera. It is roughly the same size and weight (it's a heavy camera) but with more advanced metering and some more modern features than what the SRT series enjoyed. The XE-7 can operate in full manual exposure, as well as aperture-priority. It has a shutter range from 1/1000 to 4 seconds. It is a bit limited on the high end, but we always appreciate a camera that extends beyond 1 second on the slow end. That aperture-priority mode clues you in that the camera's shutter is battery powered, but the XE-5 does have a mechanical 1/90th in case of dead batteries. That's a nice touch. It also has an impressive ISO range from 12 to 3200 and you can still buy film at both ends of this range (Adox CMS 20 and TMAX 3200 for example)!
Our one nitpick about the XE-5, its meter display only shows you the recommended shutter speed, not the chosen shutter. This means, you have to take the camera away from your eye to visually confirm shutter, or aperture, not something we really want to have to do, but we can live with it. It matters little if the camera is set to aperture-priority anyway.
Overall, this camera is a bit of an underappreciated 35mm SLR. If you happen to come across one, it will make a faithful companion for you for many years and countless rolls of film.