There you are. You're Leica in the early 1950s. You've produced some of the best and most iconic 35mm rangefinders the world has or will ever see. To top it off, you've just introduced the world to the Leica M3 and its new bayonet-style lens mounts. Do you have any more tricks up your sleeve? Yes. The Leica IIIg.
Introduced in 1957 and remaining in production through 1960, the IIIg was to be the last of the M39 screw mount bodies. It was also to be the most advanced of the series of cameras.
The IIIg still used the dual windows on the back of the camera that were common on the screw mount Leicas. The window on the left allowed for fine focusing via the camera's rangefinder. The right-side window is for framing your subjects and has two frameline options: 50mm and 90mm. In a first for Leica screw mount bodies, these lines would move to help the shooter compensate for parallax when focusing on closer subjects.
The IIIg also sports the brightest viewfinder of any screw mount Leica. Unlike many of the earlier Leicas that had a smaller viewfinder, the IIIg lets in more light and makes framing quick and easy.
The last technological change for the IIIg came with the introduction of automatic flash synchronization. Gone were the two flash ports on the back of the top plate. Instead, using flash synchronization became as easy as selecting the correct lightning bolt on the shutter speed dial.
These changes would become standard on the Leica M mount cameras, which raises the question: Was the IIIg really the last of one era of Leica or actually the first of another? In a world where both is often not an option, perhaps the Leica IIIg really has the best of each.
The MBROO and EFGOO for Leica III
What do we have here? Why, it is the Leica MBROO and EFGOO of course!
Leica products of a certain age are known for their distinguishing code words. Leitz implemented the five character codewords in 1928 because they were easier to translate via telegraph than product numbers. Of course, once the use of telegraphs declined in around 1959, Leitz switched to five digit product numbers. Before that transition, you had the MOOKY and the HESUM and the IGEMO (that last is the codeword for your Leica M3, by the way). What you end up with is almost it own language, describing bits and bobs and various wonderful Leica gear. It kind of reminds us of the modern company, What Three Words, which has mapped every 3 meter square of the world with three word grouping that, while supposedly random, can have a certain sense instilled in their assignations.
The MBROO, on the left there, is an aluminum ever-ready case for your valued Leica threadmount camera, up to the IIIf. The u-shaped lever on the front clamps down and locks the top and bottom pieces together, sealing the camera in and protecting it from moisture. Some call this a tropical case because it would be excellent for carrying that Leica around a humid jungle.
The EFGOO, meanwhile, is a high top ever-ready case designed to protect your Leica when it has an accessory viewfinder mounted. Maybe your preferred focal length is the 35mm. Early Leica viewfinders only showed framelines for 50mm lenses, so an extra viewfinder would be attached to the top of the camera. The EFGOO left room for that viewfinder, while keeping the camera safe and instantly ready.
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Leica IIIg And Visoflex
What's going on with this Leica IIIG, you ask? This is an early Visoflex, with an LVFOO accessory. The Visoflex is a nifty contraption that turns your Leica rangefinder into an SLR camera. That's right, through-the-lens viewing and focusing. Of course, it also turns any standard lens into a macro-only lens; due to the distance, the mirror box moves the lens away from the camera. There are certain lenses that can be used with a Visoflex and still retain infinity focus, as well.
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Leica IIIg with Kilfitt Reflex Housing
This Kilfitt accessory is similar to the Leitz Visoflex, though the Kilfitt manages to be simultaneously much more stylish and cumbersome. Seen on the Leica IIIg and modeled by our former staff member, Michael Stoltenow.
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Leica IIIg with VC II Meter
As nice as a Leica IIIG looks with its chrome and curves, you'll also notice the addition of the modern Voigtlander VC II Meter.
While it can be mounted to virtually any camera with a hot shoe, it was designed to match with most classic rangefinders in aesthetic and function - see how at home it looks on this Leica? Sure, get one for your Nikon or your Canon, or it could be nice to pair up with a medium format camera... even your Holga (though it costs four times what your Holga did).
The VC II is pretty simple and straight-forward in its operation. Ultimately, it's just a meter. A really, really pretty meter.
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Leica IIIg with Voigtlander VCII meter
The Leica M39-mount series of cameras revolutionized photography. They reached their pinnacle in 1957, with the Leica IIIg. The IIIg was a transitional camera, meant to bridge the gap between the old style of thread-mount Leica with the new M series, which had kicked off in 1954 with the M3. While you are much more likely to find a IIIf on the market, because the IIIg was produced for only three years from 1957-1960, if you manage to lay hands on an IIIg, take full advantage of the opportunity. These are very fine cameras. ⠀
Initially, were only using this IIIg to show off a Voigtlander VCII meter we had in stock but, as is usually the case, we were so appreciative of the beauty of the camera that we decided to make a photo of the camera itself.