Is there a Jack-of-all-trades camera? No. For every choice we make when looking for a camera, we necessarily exclude other choices. Choosing an SLR means having to look through whatever filter you're going to use, while choosing a rangefinder means you're not seeing what your lens sees. If you want a modern light meter, then you're going to be married to batteries. But are there some cameras that crossover these boundaries a bit better than others? Absolutely.
The Canon Canonet G-III QL17 exhibited all of the conveniences of its predecessors the QL28, QL25, and QL19. Each of these model numbers reflected the maximum aperture of the camera's fixed 40mm lens, so the QL17's maximum f/1.7 aperture puts this lens in the pretty esteemed company of fast, prime lenses.
The QL designation in the model number indicates that it offers Canon's "Quick Load" system, which is a metal tab hinged by the back door that holds the film securely as the film is loaded. It may not seem like much at first glance, but if you've ever mis-loaded film and gotten a blank roll back from the developer, you'll appreciate how important that tab is.
At this point you've got the film loaded and your film speed set. Now, how does this camera feel? You may find it hard to believe a roll of 35mm film even fits in a package this small. Look through the viewfinder. The focus patch is clear and bright and the framelines give you a great look at what's inside and outside your image. Focus on something close. See those framelines move down and slightly to the left? Parallax correction. Fire the shutter. Did you hear that? Did you even feel that? Possibly not. The leaf shutter is as smooth as James Bond ordering a martini and as quiet as a room of sixth-graders who didn't do their homework and are avoiding being called on in class.
With the aperture set in "A" mode, the camera's light meter needle will show you the aperture the lens will use after you select your shutter speed. Aperture not to your liking? Adjust the shutter speed dial on the lens until you're happy. The Canonet G-III QL17 is here to make you happy. If you prefer to shoot in manual mode, go ahead and take control by selecting your own aperture. The QL17 will wait quietly and give you your space while you work.
As a street camera, an environmental portrait camera, or vacation point-and-shoot, the Canonet G-III QL17 takes a backseat to no other piece of equipment. It's small and unassuming, but works diligently to help you deliver your best work.
ar/js
Canonet QL17
Is it the magnificent light at golden hour that makes this Canonet QL-17 shine so brilliantly? Maybe.
...It could also be that this camera was fully refurbished, reskinned, and powder-coated by our repair tech, Mike. It looks as good as new; in fact, it looks arguably better than new.
While this camera sold long ago, we wanted to show off what our camera magician, Mike, is capable of. We offer a full overhaul of Canonet QL-17s for $125. Reskinning costs vary depending on leather choice, and we do not currently offer powder-coating for customer cameras.
A CLA (clean, lube, adjust) includes: calibrating the light meter for modern batteries (goodbye mercury), servicing the camera's shutter, replacing light seals, a lens cleaning, calibrating the rangefinder, and checking flash sync. Phew! That is a lot of work.
We gladly accept mail-in repairs from all over the country! Repair turnaround time is typically 4-6 weeks from arrival.
If you have a Canonet QL-17 in need of some TLC (tender loving care) then do not hesitate to drop by, send us an email, or give us a ring. This camera is totally worth it.
dm/sd
Beatriz Bonilla with Her Prize Canon Canonet QL17
Congratulations to Beatriz Bonilla, who won our October 2020 camera giveaway contest celebrating the blue moon that rose on October 31st. We concocted a series of seven riddles, taking our customers on a scavenger hunt trek through this very Museum. Several photographers participated and correctly deduced the hidden answer we were looking for.
Beatriz and her wife, who is also an avid film photographer, worked on the puzzle together, coming up with their own answers to our riddles independently and then comparing their deductions. It took them most of a day but they had a lot of fun. And it was well worth the effort as it was Beatriz's name that was eventually drawn from the camera bag full of correct entrants.
Will there be future riddles and camera giveaways? Most likely. Here's to hoping you don't have to wait for the next blue moon to rise.
za/sd
Canon Canonet QL17 with New Skin
Canon Canonet QL-17 G-III
In 2017, we celebrated our 15th annual Blue Moon Camera Customer Show! Leading up to the show, we shared some of the show prints, along with the cameras that made them - this photo was made by Henry Brannan on his Canonet QL17.
What is the Customer Show? Throughout the year, tens of thousands of images pass through the lab – some destined for the walls of a gallery, others for an esteemed place on the refrigerator. Regardless of what our customers do with them afterward, each photo that comes through the lab is, at one point or another, held in the hands of a staff member and looked at. We count the prints, check for dust, and make sure that they reach our standards of quality before they make it back to the customers themselves. In all the bustle of the lab, there are the wonderful moments when we hold a print in our hands that makes us feel something and we have to just stop. It may be an especially creative image, it may be the perfect execution of technique, it may be touching, profound, or just plain lovely. When this happens, the staff member brings this stop-inducing photo around to the rest of the staff to share the experience and, if the majority approves and the photographer gives their blessing, the photo is selected for the Blue Moon Camera Customer Show. We're always excited for this show as it is an opportunity to exhibit the work of our incredibly talented customer-base. It's also an opportunity for a unique community of creatives to get together and have a fantastic time.
za/sd
X Marks the Canonet QL17
X marks the camera. For many, finding a Canonet QL17 is like finding pirate's treasure. These cameras are cause for elation and many, many subsequent photos. We see them in the shop quite frequently and, quite frequently, we see them move on to new homes.
za/sd
Canon Canonet QL17 G-III
It is hardly accurate to think of the Canonet QL17 as overlooked. These compact rangefinders have grown increasingly popular over the last several years, in part because of their nice size, reliable build, and f/1.7 lens. This demand has started to push prices higher, so don't overlook this guy's truly overlooked brothers: the QL 19 and QL 25. By the way, the number in the name refers to the lens' maximum aperture; for example, the QL 19 sports a f/1.9 lens.
za/sd
Canon Canonet QL17 G-III
The Canon Canonet QL17 are great travel companions, being so compact, fast, and sharp. The 40mm f/1.7 lens they sport is a great optic and, other than the seals wearing out every 30 years, they have proven to be rugged and reliable. They may not have interchangeable lenses, but this can be a blessing in disguise - you really only need one lens anyway!
za/sd
Canonet QL17 on LomoChrome Purple
We work under the philosophy that film and cameras are tools. They, respectively, have qualities and characteristics and it is up to the wise photographer to take time to learn them and figure out how to apply those qualities. This is what ultimately determines success or failure. In this sense, there is no such thing as good film or bad film, gimmicky film or crappy cameras. There is just better or less effective use of film and cameras. The responsibility lies with the experience and imagination of the photographer. While a challenging philosophy in and of itself, we have found that these ideas encourage us to think with a more open mind, to look harder and longer, to be inspired toward more creative photography. The moment you think the light is bad, or the weather crummy, or a film is gimmicky - that is the moment you have painted yourself into a corner creatively. ⠀
⠀
Try not to do this. ⠀
⠀
This Canonet QL17 was photographed on LomoChrome Purple film at ISO 100 on a Mamiya 645 Pro.