Released in 1953, the Minoltacord wasn't the first TLR (twin lens reflex) produced by Minolta. Sixteen years earlier, the company had rolled out their version of a TLR called the Minoltaflex. It was recognized solely by the silver nameplate bearing the word "Minolta." Introducing some of their technological advancements after World War II, Minolta updated its original design and gave its 1950 version of the TLR the name Minoltacord.
The Minoltacord featured some of the same changes as its main competitor Rollei and their line of Rolleiflex cameras. Most obvious was that the film winding knob on the side had been replaced with a crank. Beyond that, the Minoltacord made several improvements not found on their competitor's TLRs.
Until the Minoltacord, focusing a TLR had involved a knob that moved the front standard forward and backward. With the shutter release on the lower right-hand side of the camera body, this usually meant that photographers had to focus and then re-position their hands to support the camera body from below. The Minoltacord moved the focus to a lever located just under the front standard so that users' hands could stay below the camera to focus and fire without shifting the body and potentially changing composition.
Minolta also reversed the film transport for the Minoltacord so that the supply spool was on the top of the film plane and the take-up spool was underneath. This arrangement helped prevent the film curling that was sometimes an issue when using Rolleiflex cameras.
In order to keep the Minoltacord line affordable, Minolta offered this model with a choice of two different shutters. Most non-professional shooters were fine with the Citizen shutter that had a fastest shutter speed of 1/300th of a second. For more advanced photographers, a model with a Seikosha shutter with a 1/500th of a second shutter speed was also available. Both versions had the same 75mm f/3.5 Chiyoko Primar lens.
With its design changes, Minoltacords and their descendants deserve a place of their own on the evolutionary tree of TLRs. If you fire one, you'll feel the quality that company founder Kazuo Tashima sought. When you see the images from a Minoltacord, you'll see that he and Minolta found that quality.
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Minoltacord At The Beach
We have a fondness for Minolta's TLR cameras. If you want to talk about beautiful TLRs, then you have to include the Autocord on that list. The Minoltacord was the predecessor of the Autocord and, while it is a bit more dated in its features, it is no less lovely.
The Minoltacord was introduced in 1955 and was the first Minolta TLR to feature the focusing lever that became one of the defining characteristics of the later Autocord. Unlike those later cameras, the Minoltacord did not automatically set the shutter at the same time as the film was advanced. On the one hand, this makes the process of advancing and preparing for the next exposure a bit lengthier and more involved; on the other hand, it also means you can do multiple exposures with this camera.
There are a couple different versions of the Minoltacord. You can find them with either a Promar SIII or Rokkor 75mm f/3.5 lens. Our guess is that there will not be a ton of difference there. The Minoltacord can also be found with one of two shutters: a Seikosha Rapid, that had a top speed of 1/500th, or a Citizen, that maxed out at a slower 1/300th but had a self-timer. The Minoltacord pictured here has the Promar lens and Citizen shutter.
We took this camera along with us on a trip to the coast. Though we didn't get a chance to put a roll of film through this camera, half the fun about any TLR is just looking at the world through the waist level finder. We've included a peek for you.