When thinking of Hasselblads, most photographers will think of the classic 500 series with its square lines, familiar, satisfying, crisp mirror sound, and almost imperceptible "click" from the Compur shutter in the lens. Just like any other company, Hasselblad kept up with the growing needs of professional photographers and the technology that came with those needs. With many studio photographers looking for more flash control and faster shutter speeds, the engineers and designers at Hasselblad developed the "200" Series of Hasselblad cameras.
Introduced in 1991, the 201F was both modern in its electronics and, with its focal plane shutter, a bit of a throwback to the first Hasselblad cameras that were produced just after World War II. The original Hasselblad 1600F and 1000F featured focal plane shutters with maximum shutter speeds of 1/1600th and 1/1000th of a second respectively. The focal plane shutters, however, proved to be the weakest link in this design and the company switched to the famous Synchro-Compur leaf shutters. The latest 500 series cameras continue to benefit from this design change.
Although the Hasselblad 201F is considered by some to be an "entry-level" camera, it has many of the features of its more expensive and more highly regarded siblings. All of the 200 series of Hasselblads came with an electronically-controlled, silk-cloth shutter that replaced the manually-controlled, expensive, and fragile titanium-foil shutter. The 201F's fastest shutter speed of 1/1000th of a second, however, was slower than its other 200 Series cousins.
The 201F metering was designed for use with Hasselblad Proflash 4504 and with that flash, extremely precise metering was available. Without using flash, however, the 201F did not meter for exposure as some others in the 200 Series did, adding to its reputation as something less than a professional-level camera. But the Hasselblad compatibility of lenses, backs, finders, and even focusing screens meant that the 201F could be used with nearly all of the 500 Series lenses and film backs. The potent combination of the Hasselblad arsenal of equipment means that the 201F is capable of producing excellent images in a wide variety of different circumstances.
In the end, the question of whether the Hasselblad 201F is a professional-level camera or not is really in the eye of the beholder. But it is worth remembering this version the next time you hear the name Hasselblad mentioned.
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Hasselblad 201F
We sometimes describe the process of buying a Hasselblad as "buying your last camera first;" meaning, once you have a Hasselblad, oftentimes you don't really need much else when it comes to medium format. This is because the cameras are so versatile (not to mention that after buying one your camera budget is probably exhausted!). If there was a Hasselblad camera that epitomized this philosophy more than any other Hasselblad camera, it would be one of the 200 series cameras, such as this 201F.
The big advantages to these cameras are twofold. First, they boast a focal plane shutter with top speeds exceeding the 1/500th limit that the C lenses on the 500 series is limited to. The 201F, for example, can reach a top speed of 1/1,000th while its sibling, the 203FE can hit 1/2,000th. The 200 series is also able to do TTL/OTF flash metering with the dedicated flash units. Not only can the camera and flash see through the lens in order to gauge flash output, but it can read the light hitting the film and cut off the flash when enough exposure is reached, giving this camera the ability to produce accurate and consistent flash exposures.
There are other cool advantages to this 201F. The F/FE lenses for this system are faster. This specific camera came not only with the 80mm f/2.8, but a 50mm f/2.8 and a 150mm f/2.8, both of the latter lenses have faster maximum apertures than you'll find in the C series lenses for the 500 cameras. There is a 110mm f/2 lens to track down, as well. Add in a multiple exposure switch, a built-in self-timer, and the ability to use either C or F lenses for leaf or focal plane advantages, and this 201F really could be your last Hasselblad ever.
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Spring through a 201F
Spring is one of our favorite season of the year. That wonderful span of time where the dearth of light and breadth of color make it a treat to walk around and look at everything through the magic of a waist level finder. It never gets old for us. It never gets any less wondrous to pick up a Hasselblad, Bronica, Mamiya, Yashica or Rolleiflex and look down into that bright, crisp, surprisingly deep, medium format focusing screen. You get lost in it. Sometimes you don't even need to make a picture, it is enough to just look awhile.
Likewise we never get tired of sharing this view with others, particularly those unacquainted with it. You set a waist level camera in someone's hands, encourage them to take a look, and watch as the marvel unfurls across their face. It is a fun thing to experience. Thankfully, given where we work, we get to see it nearly every day. We consider ourselves fortunate.