Draw a Venn diagram of medium format cameras with one circle being interchangeable lens cameras and the other being twin lens reflex (TLR) cameras. Not much of an overlap is there? But if you look very closely, there's one set of cameras at that intersection: the Mamiya C series. Beginning with the Mamiyaflex C, Mamiya introduced a series of ten TLRs between 1956 and 1983 that became as sought-after for their durability as for their ability to make impressive images.
All of the Mamiya C Series cameras feature automatic film loading and advancing, which was fairly standard in the medium format cameras of the day. What separates these cameras from others is that the film never has to make any bends as it feeds from the supply spool to the take-up spool. This helped the film stay especially flat and with the pressure plate on the rear door, these cameras are remarkable in their ability to keep the film plane very flat.
The most striking feature of the Mamiya C cameras, though, are the bellows. With an especially long bellows draw, the Mamiya C cameras can achieve remarkably close focus.
The lenses that Mamiya created for these cameras run the gamut from 55mm to 250mm focal lengths. Given that range, there's almost no shooting situation that these cameras can't handle.
The Mamiya C220 was released in 1968 and was the sixth camera in this system. The C220 was the first to have a back that did not have a red window, so it could use the then newly-released 220 film, which did not have a paper backing running the entire length of the film. Aside from the newly redesigned door, the C220 featured a film winding knob with a fold out crank to help make film advancing easier.
One feature that is not present on the Mamiya C220 is an automatic shutter cocking system. Beginning with the C3, this would become standard, but for C220 users, advancing the film and re-cocking the shutter are two different steps.
Even with the incremental changes and advancements that Mamiya rolled out in the nearly three decade production run of the Mamiya C Series, it's a cinch that any one of these cameras can provide years of use and enjoyment. With more lens options than any other TLR and closer focusing than other SLRs, Mamiya C users will not have to pick just one part of the Venn diagram.
A Day At The Beach With The Mamiya C220
The other day, a customer dropped by with her beloved Mamiya C220. It had taken an unfortunate tumble and suffered an impact, so she wanted to have us look it over and make sure its brush with gravity had not done any damage to its mechanisms. After giving the camera a good once over, we didn't notice anything amiss. Still, we figured that we might as well give it a real world test and so, we loaded it up with a roll of the Rollei Retro 400S, and took it for a quick weekend trip to the coast.
There are few better ways to test a camera than to actually use it as it was fully intended.
We must say, the time with this C220 reminded us just how wonderful a camera they are. Those Sekor optics are pretty awesome and the camera itself has all the reliability and solidity as a block of stone (it does weigh something similar to that as well).
Meanwhile, it had been a minute since we had used much of the Rollei Retro 400S. You know how it is, too many films, not enough days off...
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A Mamiya C220F
The Mamiya C220F was the last of the C220 series; not many of these cameras were in production.
Our repair technician, Mike, has only ever seen two, including this one right here.
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Mamiya C220
One of the best things about using medium format cameras is the waist level viewfinder. The world looks magical through them. It's a little bit sad that the more one uses such a camera, you slowly become more accustomed to this view. It is nice to remind oneself, now and again, just how lovely a view it is. We love showing these cameras to customers in our store who have never experienced such a sight. Their excitement and wonder is contagious and reminds us of one of the many reasons why we like cameras such as this Mamiya C220. Pair this perspective of the world with a subject like the St. Johns Bridge on a foggy morning and you have a recipe for a lovely image.
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Mamiya C220
A Slice of Life with the Mamiya C220
Hot apple cider, a beautiful Hahnemühle notebook, and a trusty Mamiya C220 make the perfect trio on these cool, fall days.