What was the standard before the standard really became standard? For film photography, it's hard to argue that 35mm film, with its 3:2 aspect ratio, isn't the standard. Even in the 21st century, "full frame" digital camera sensors replicate the image size of a 36mm x 24mm film negative. Although Oskar Barnack didn't create the first 35mm still film camera, he is credited with making it popular with the Leica I.
Released in 1925, the Leica I was about as simple as a camera could get. A small, pocket-sized camera body with a 50mm f/3.5 lens fixed to the front and using only zone focusing, the Leica I offered no frills or distractions to get in the way of the photography. What the Leica I offered its users was a small, purpose-built machine for getting the most out of Leitz's superb 50mm lens.
The Leica I remained in production until 1931 before it was replaced with the Leica II, which had a coupled rangefinder window in addition to the viewfinder window. Before it gave way to its successor, a version of the Leica I was fitted with a screw mount lens fitting. This allowed different focal length Leitz lenses to be mounted and ushered in the era of the camera system.
While these little cameras weren't quite the first 35mm film cameras available, the Leica I remains desirable and, with service, extremely capable even a century after they first hit the shelves. Although they may be difficult to find, the Leica I is a camera worthy of searching for. Using one is like stepping back in time and discovering the beginnings of a standard.
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Leica I Model A
The Leica Ia (or Leica I Model A) is arguably one of the most important cameras of the 20th century. It is certainly the most important 35mm camera.
Introduced to the world in the 1920s, the Leica Ia was the first mass-produced, commercially successful 35mm camera. It is the camera that brought 35mm photography to the masses. It wasn't the world's first 35mm camera - there had been cameras using 35mm film in one form or another for about 20 years by the time the Leica Ia was introduced. With a production run close to 60,000, the Leica Ia was widely sold, widely bought and widely used, making its impact on the world of photography much more greatly felt than any 35mm camera before it.
When this camera came in to us on consignment we were faced with a bit of a dilemma. It was in pretty sad shape, especially the shutter which was not firing. Being on consignment, it was not our decision whether or not to invest the money to refurbish it, and in truth it was going to be more profitable to the consignor to have us sell it "as is". As true as that was though, it seemed such a shame to leave this camera, with its legacy, in its sad shape. We laid out the costs and values to our consignor for both options. The camera had belonged to their grandfather and he had loved it. They wanted to see it fixed up and go to a good home. Even if that meant less profit for them, it would make them happier knowing the camera was back out in the world making photos.⠀
After the refurbishment, it worked so incredibly well, even for a camera nearly a century old. The shutter was crisp and the wind was so smooth. Holding this camera in hand, firing and winding it, one can tell why it had such an impact on the world of photography. And even today it is a lovely thing to hold and use.⠀
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