Mamiya C33
Draw a Venn diagram of medium format cameras with one circle being interchangeable lens cameras and the other being twin lens reflex (TLR) cameras. Not much of an overlap is there? But if you look very closely, there's one set of cameras at that intersection: the Mamiya C series. Beginning with the Mamiyaflex C, Mamiya introduced a series of ten TLRs between 1956 and 1983 that became as sought-after for their durability as for their ability to make impressive images.
All of the Mamiya C Series cameras feature automatic film loading and advancing, which was fairly standard in the medium format cameras of the day. What separates these cameras from others is that the film never has to make any bends as it feeds from the supply spool to the take-up spool. This helped the film stay especially flat and with the pressure plate on the rear door, these cameras are remarkable in their ability to keep the film plane very flat.
The most striking feature of the Mamiya C cameras, though, are the bellows. With an especially long bellows draw, the Mamiya C cameras can achieve remarkably close focus.
The lenses that Mamiya created for these cameras run the gamut from 55mm to 250mm focal lengths. Given that range, there's almost no shooting situation that these cameras can't handle.
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