The Buccaneer was introduced in 1945 by the Universal Camera Corp. The New York-based company was a prolific camera manufacturer in their brief twenty year existence, mostly known for cheaply made and inexpensive cameras such as the Univex. After WWII, Universal turned toward producing a few "high end" model cameras, the most famous of which is arguably their Mercury II half-frame camera. The Buccaneer also fits this higher end category.
Armed with a 50mm f/3.5 Tricor lens, mounted on a Chronomatic shutter, that is collapsible into the body of the camera, the Buccaneer aimed to deliver high-quality images. Of course, quality is relative and, as far as 35mm rangefinders go, the Buccaneer was nowhere near the same level as Contax, Leica, Canon, Nikon or Kodak at this time. Nonetheless, the Buccaneer does have its charm, and for a photographer who had grown up on the likes of an Argus C3, the Buccaneer presented a moderate upgrade.
One nifty feature of the Buccaneer is its built-in extinction meter. Having a built-in light meter was far from common at the time, and most photographers either used the Sunny 16 Rule or carried handheld light meters. The extinction meter on the Buccaneer is a simple mechanism that can work quite reliably, one that continues to work well even today.
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The Buccaneer and its Extinction Meter
We are only going to tell you one thing about the Universal Buccaneer today. It has an extinction meter. What is an extinction meter, you might ask? No, it doesn't warn of rising sea levels, inbound asteroids, or alien invasions. It is one of the earliest and most basic of light meters. It works like this...
Next to the viewfinder window, in the back of the Buccaneer, is another small window. Looking through this window causes you to look through a small filter, sort of like a neutral density filter, with segments of varying density. Think of the Kodak print scales used in the darkroom to calculate print exposure lengths - it's very similar to that. Each segment of the filter is printed with an exposure number. Your job is to deduce which number you can just barely make out - or - which number sits just above "too dark to read." This number is then input into a scale on the back of the camera, along with film speed, and the dial performs the simple calculation of telling you which shutter speed and aperture combinations are appropriate for the lighting conditions you are in.
On one hand, extinction meters can be great things. Ansel Adams was fond of using one. They don't require batteries. They are ultra simple devices that essentially do not have any parts that can break. On the other hand, they are not without their nuances. They are all but impossible to use in low light. They can be tricky in high contrast lighting situations as well. If the filter in the meter gets dirty or hazy, that too can interfere with their accuracy. Also, peering through it for too long can throw off your reading, as your eye becomes adjusted to the dimness of the window and you are able to make out dimmer numbers than you could at first glance.
You don't see many cameras these days with extinction meters; just one way that this Buccaneer stand out!