When it comes to the 35mm SLR cameras of the 1970s and 1980s, most photographers find themselves with a camera from one of the "big five" camera manufacturers: Pentax, Nikon, Canon, Olympus or Minolta. Fuji had also been producing SLR cameras of their own during this time, from the Fujicarex of the early 1960s on to the moderately popular series ST cameras of the 1970s.
The Fujica ST605 was the second-to-last in Fuji's ST series of cameras, launched in 1976 (with the ST605N update, rolled out in 1978). There is nothing too flashy about the ST605. It is the camera equivalent of the restaurant that features a limited menu but fully delivers on these few items. Likewise, the ST605 has a limited number of features, all of which deliver what you need to make the camera solid, well-built, and reliable. One of our customers has owned and used her ST605 since 1976, when she bought it new - this anecdote alone attests to the camera's durability.
The ST605 also makes use of the Pentax M42 lens mount, opening the camera up to an immense selection of optics. The shutter is a rubberized cloth curtain, with speeds ranging from 1/2 second on the slow end up to a max of 1/700th, plus Bulb mode. Metering in the ST605 is done via an SBC (Silicon Blue Cell) TTL light meter, a relatively new innovation at the time which offered faster reading and better accuracy in lower light levels. Exposure is set manually and, better yet, the shutter is entirely mechanical. Batteries are required for the light meter, but the rest of the camera does just fine even in the event of dead (or no) batteries.
While we love the Big Five and are often quick to recommend an SLR from that group, it is always worth the time highlighting the many fine cameras that were not part of that club. The Fujica ST605 is a solid camera, as capable as any Pentax K1000 or Minolta SRT 101 - and it can often be found for half the price!
za/sd
Diana Powe and her Fujica ST605
Long before we even dreamed of launching our International Camera Museum, we enjoyed a wonderful phenomenon. Customers often brought cameras to us to visit. What we mean is that they made dedicated trips to our shop in order to share specific cameras with us. Whether it was because the cameras were odd specimens hardly ever seen, or because the cameras had wonderful histories, our customers knew that we truly enjoyed such experiences, so they would make special visits to show us their prized or precious film camera. That boundless and resonating enthusiasm and passion between us and our film-loving customers is one of the most fun aspects of this job.
Over the years, we have used Instagram to share those stores when we have them. Now, with the launch of the Museum, we have a more permanent home to archive these shared histories and sagas. In fact, since the launch of this Museum, we have actually seen an uptick in customers reaching out, offering to bring their favorite camera by to help us add one more exhibit to the museum.
Thus it was that Diana stopped by with her Fujica ST605. See, it was the first SLR she ever bought, back in 1976 in Texas. She carried this Fujica with her from Dallas, TX to Blytheville AFB in Arkansas, back to Laughlin AFB in Texas and beyond. She still carries her Fujica ST605 today and she continues to love and use it. Four and a half decades with the same camera... ponder that for a moment and what a wonderful thing it is.
Now, thanks to Diana, the Fujica ST605 has its own exhibit in our Museum, along with a bit of its personal history. And thank you to those customers who share their cameras with us, or have been offering them up for documentation in the Museum. It is a very neat collaborative facet to our jobs here and we appreciate it immensely.
We'll close out this object with some images she made on it during their heydays together.