The Konica Autoreflex T3 is one of those classic examples of a great camera getting even better as the company refines and improves upon earlier designs. Introduced in 1973, the T3 can make the argument that it is the best of the Autoreflex T series (there is a T4, but it used more plastic and doesn't feel quite as robust).
In general the Konica Autoreflex T cameras are full-featured and heavy duty SLR cameras that make use of the excellent Hexanon lenses that Konica produced. These days, they are a bit more overlooked in favor of the more popular brands such as Pentax, Nikon, and Canon but, if you get your hands on a Konica Autoreflex T3, you will feel like you have been let in on a very good secret.
The Autoreflex T3 is pretty similar to its T2 forebear with some much appreciated new features, such as a depth of field preview built into the self-timer arm, refinements to the shutter release, and film advance mechanisms that made them smooth and a more enjoyable tactile experience, a hot shoe, a multiple exposure switch, and an expanded ISO compatibility range running from ISO 12 to 3200. Don't forget the many features of the T2 that were continued in the T3, such as shutter and aperture shown in the viewfinder, an all-mechanical shutter that is not dependent on battery power, and the ability to operate in a shutter priority auto exposure mode!
In 1976, Konica released a slightly updated version of the T3, referred to as the T3N or T3 New. The T3N made the accessory hot shoe of the T3 a permanent part of the camera, added a viewfinder shutter for preventing stray light from entering the viewfinder eyepiece and skewing metering in certain conditions, and it added a new split-prism focusing screen to the camera. Other than those differences, the T3N is the same as the T3, and these latter cameras are still marked only with "Autoreflex T3" on the body chassis.
Be it a T3 or a T3N, if you want a solid SLR camera that is a bit off the beaten path of the more common SLR choices, as well as a camera that will allow you access to lenses of incredible quality, the Autoreflex T3 will fit that bill handily.
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Konica Autoreflex T3 with Hexanon 57mm f/1.2
Imagine a Venn diagram: one circle represents the f/1.2 cult, and the other circle represents the Konica Hexanon lens cult. This Hexanon 57mm f/1.2 lens can be found at the meeting of these two circles.
Fast lenses have always had an appeal. Their biggest advantage is the bit of extra light they allow in, making them able to achieve higher shutter speeds in dimmer conditions. For reference, f/1.2 is about 1/2 stop faster than f/1.4 and it is a full stop faster than f/1.8. They are also extremely popular for the razor thin depths of field one gets when shooting with them wide open. This has made these fast lenses popular with portrait photographers or for those in love with bokeh.
This Hexanon 57mm f/1.2 has a bit of a legend to it. Some say it is the sharpest f/1.2 lens ever made. Some say it is too sharp for their tastes. Others point out that it has a very distinct look to its bokeh, while still others note that almost every f/1.2 lens has a distinct look all its own. It makes for an interesting genre of lenses to explore and we hope to get a chance to try this one out.