With the introduction of the Pentax Spotmatic SPII, in 1971, Asahi chose a simple and direct course of action to produce a successor to their immensely successful Pentax Spotmatic. They decided to stick to the winning formula, only making small, incremental improvements. The result in the Spotmatic SPII is a camera that is everything that made the Spotmatic so good, plus a couple small add-ons. The SPII is just as rugged, just as mechanical, just as reliable, and just as sublimely engineered. The tweaks performed involved giving the camera a permanent hot shoe and expanding its ISO range up to 3200. A new switch was added to change flash synchronization from FP (flash powder/bulb) to X (electronic), via a dial under the rewind lever. In modern times, this switch has lost most of its use, but in the 1970s this was still a relevant feature. One of the most influential new features on the SPII had nothing to do with camera function at all, it involved the introduction of the SMC line of lenses, released alongside the camera.
Pentax didn't go out on any innovative limbs with the SPII, instead, they doubled down on a camera everyone already knew was excellent, making it just slightly more excellent. All of this is to say that bringing a Spotmatic SPII into your camera collection is certainly a worthy investment.
Pentax Spotmatic II with KMZ 85mm f/1.5 Helios-40
Occasionally, when we get items in for consignment, we are presented with some very tough choices.
Take this Helios-40 85mm f/1.5 lens as an example. This bokeh beast has earned quite the cult following. When it came in for testing, we immediately took it out for a walk on this Spotmatic II, loaded with a roll of Silberra Color 50. We planned to be sharing these sample images with you the same day that we put the lens out on our shelves, but - alas - the test revealed that the lens had a few marks against it: rough focus, fungus in the optics, not focusing quite to infinity, etc. The rough focus was more or less fine, as the focus still worked, it just wasn't as smooth as we'd hoped. The fungus and wear marks on the optics are something we are used to seeing on a lens of this vintage. Not attaining infinity focus really wasn't this lens' fault. Originally, it was made for the Zenit M39 SLR mount and this lens had a roughly machined M39-M42 adapter ring on it. The difference in flange distance between those two camera systems, and the inexactness of the mount adapter, were causing the focusing issue. But still, the question remained - was this enough to pass on the lens or sell it with all of the significant asterisks. We don't like selling equipment that have too long a list of "things you should know," but then again, this was such a cool lens...
The solution we settled on? We opted to put it out for sale after all, though it didn't last long on our shelves. Staff member, Ashley was sufficiently lured in to buying this special lens through all the extensive conversation it was generating around the shop. You can all thank her for taking that bullet for your wallet.
Here are the sample images this lens made with that Silberra Color 50. As you can see, it is nice stuff.