Sometimes "budget" does not mean inferior, as is the case with the Minolta SRT 100. Introduced in 1971, the Minolta SRT 100 was a stripped-down and simplified version of the more expensive, more professional Minolta SRT 101. The SRT 101, first introduced in 1966, had proven to be an immensely successful camera, and Minolta wanted to offer some of its best features, but in a model that was priced more affordably for advanced amateurs. They did so by removing the self-timer and mirror lock up mechanisms, as well as the shutter speed viewfinder display and lowering the top speed from 1/1,000 to 1/500. These simplifications drastically reduced the manufacturing costs of the SRT 100 and allowed it to hit the market at a much reduced price.
Even with these cost reduction efforts in place, the SRT 100 kept several key features of the SRT 101, such as Minolta's "Contrast Light Compensator" TTL metering system. The SRT 100 also kept the depth of field preview button, always a handy feature to have. The SRT 100 even made some minor improvements to certain elements of the camera, such as a deeper milled shutter speed dial for easier traction, and a mild update to the internal pressure plate and take up spools.
Essentially, these omissions and additions balance out fairly well and the user ends up with a camera that feels true to the SRT line, is incredibly rugged and reliable, all the while being slightly less expensive and making it an even better bang for the buck. The SRT 101 and SRT 201 will continue to be the most popular cameras in this fine series of 35mm SLRs, but don't discredit the SRT 100.
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Minolta SRT 100 in Gold
The old saying "All that glitters is gold" once again proves true. If ever there was a camera befitting a gold paint scheme it would be the SRT 100. This model sometimes gets overlooked in favor of the more-popular SRT 101 but it definitely deserves the attention this gold coating gives it. Another work of art from Mike Knight.
All Sides of a Custom Maroon Minolta SRT 100
Our repair tech, Mike Knight, has been experimenting more and more with creating whole kits of customized cameras. This usually involves a lens whose barrel has been repainted to match the camera it is coming in with. In this specific case he repainted both a Minolta SR-T 100 and Minolta 50mm f1.7 lens in a matching maroon scheme. The result is quite striking and makes an already wonderful camera feel even more special.
Custom Grey Minolta SRT 100
Another fine machine, re-envisioned in a fresh grey powder coat by our talented repair technician, Mike Knight.
Minolta SRT 100 in Atomic Pink
The Minolta SRT 100 doesn't normally exclaim its presence quite so vividly. Usually this is the type of camera that does its work quietly and steadfastly, getting the job done dependably without calling attention to itself. However, throw on a new coat of Atomic Pink and watch this normally drab camera become something much more flavorful. This vibrant re-envisioning is all thanks to our repair tech, Mike "Willy Wonka" Knight.