The Reality So Subtle 6x6 Filter model is a medium format pinhole camera designed and built by James Guerin. It was introduced in 2017 as a companion model to his earlier 6x6 Dual Pinhole camera. Like the 6x6 Dual Pinhole, the 6x6F is manufactured from black, high impact polystyrene. It features an incredibly short focal length of 24mm, giving the camera an ultra-wide angle field of view. The 6x6F has a single, centered pinhole with a 52mm filter thread, allowing the use of various filters with your pinhole photography. Expand the possibility of your images by adding a neutral density filter for even longer exposures or try a polarizer for even more saturated colors with color film. Twist on an R72 infrared filter combined with infrared film, such as Rollei Infrared or Ilford SFX. Try a yellow, red, or orange filter for contrast control with panchromatic b&w film.
The camera has a very finely made pinhole that produces excellent image quality and has an effective aperture of f/160. The 6x6F also features dual winding knobs, so that film can be advanced or rewound freely. The shutter is a recessed, magnetically-governed knob that slides laterally, making initiating exposures easy and preventing the shutter from inadvertently coming open in one's camera bag. Loading is via a top-down method and is equally straight forward, though it does not allow for any access through the back of the camera. This is really only a minor inconvenience, making it a bit more difficult to access potential debris in the camera body or perhaps a hair caught in the negative mask.
This pinhole camera is sleek and sharp, with a streamlined design that will have you wondering why other photographers choose to shoot with the added complication of lenses.
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Reality So Subtle 6x6 Filter
When shooting with pinhole cameras, even with a slow speed ASA film, a really bright summer day can result in exposures often in the ½ to 1 second range. This can be kind of an awkward zone of exposure for pinhole cameras. On the one hand, it isn’t long enough to get the kind of motion blur we are used to capturing with these cameras. Certain subjects can still be blurred but others, such as the smoothing out of moving bodies of water or the erasure style motion blur of crowds, these are certainly more difficult to attain. The other factor with these exposure lengths is that it is harder to open and close the camera without generating camera shake and, at these short shutter speeds, any shake constitutes a much larger interval of the overall exposure. Some pinhole cameras have cable release sockets to help in these cases as well. Now, we know several photographers who embrace this; they load up their cameras with 400 or 3200 speed film and go completely handheld to interesting creative effect.
Yet another solution is to use filters, as more and more commercially-available pinhole cameras have filter thread attachments. Zero Image, Reality So Subtle, and ONDU are just a few companies that are now integrating filter attachments to their cameras. Pick up an ND8 3-stop filter and that 1 second exposure is now 8 seconds (in fact, a bit more than 8 seconds with reciprocity failure in mind). Or, use this as an opportunity to try some infrared film and pair the camera with a red 25 (about 2.5 stops) or an R72 (give it about 6 more stops). Or, go whole hog and get a 9 stop ND, making that 1 second filter-less exposure a whopping 8 minute, middle-of-the-day exposure (better to actually quadruple that to at least 30 minutes for reciprocity)! Load in some slower film and you could easily have exposures in the hours in the middle of the summer sun. What better way to inspire a picnic at the park while waiting for that exposure to wrap up.