The Kiev 60 is a medium format SLR camera similar to the Pentacon Six. Like the Pentacon Six, the Kiev 60 uses the Pentacon lens mount and makes twelve 6x6cm images on 120 film. The camera features interchangeable lenses and finders, with an available TTL prism finder to allow through-the-lens metering with the camera.
Built by Arsenal in Kyiv, Ukraine, former USSR from 1984-1989, the Kiev 60 has a mixed reputation. On the one hand, it is a fun camera to use, handling just like the oversize 35mm SLR it resembles. Controls are intuitive, with a front-mounted shutter release making it easier to hold. The finder is large and bright, and many cameras feature split-image focusing screens. The Kiev 60's Pentacon lens mount gives it access to a trove of excellent and affordable Zeiss lenses, like the 180mm "Olympic" Sonnar.
On the other hand, the Kiev 60 is known for a variety of mechanical weak points. The film advance is finicky, not only in its heavy, long wind but also in its tendency to overlap frames near the end of the roll. Shutter issues are common, and the material used to flock the mirror box can create flare. Most Kiev 60 copies we see need substantial repair to return to good working order, and this example was no exception. The Ukrainian company ARAX sells overhauled and upgraded Kiev 60 cameras that address these issues, giving access the benefits of this system with better mechanical reliability.
Kiev 60 - Focusing Screen Composition
A composition as seen through the lens of a Kiev 60. The grid lines on this focusing screen are useful in framing architectural subjects.