How different does a camera's design have to be before it's no longer considered a copy or a clone? While the Soviet camera factory (founded by Felix Edmundovich Dzerzhinsky in Ukraine) most certainly copied the Leica for their first camera, by the time the Soviet Union retooled after World War II, the FED factory was ready to roll out its own camera. Making its debut in 1955 and remaining in production until 1970, the FED-2 was a complete redesign of the original FED.
While the FED-2's looks certainly draw comparisons to the its Leica counterparts, the Soviet version had certain features that set it apart from the German M39 camera. Instead of having to trim the leader in order to load the film, the FED-2 has a completely removable back so that the entire film cartridge and take-up spool can be loaded more easily. Additionally, all of these cameras come with a diopter adjuster and later versions of the FED-2 even have self-timer levers.
The FED-2 cameras did not have the same range of shutter speeds as their other M39 contemporaries. Most notably, the Soviet version is missing the shutter speeds below 1/25th of a second, and its fastest speed is limited to 1/500th. Overall, the simplicity of design makes up for the lack of shutter speeds.
Thanks to the build quality, low cost, or perhaps just the quirkiness factor, the FED-2 remains one of the most popular 35mm cameras to come out of the former Soviet Union. If you frequent camera shops, it won't take you long to come across one of these. They'll likely be in the case next to the Leicas, but after you handle it, you may decide that these little cameras belong in a class by themselves. Read that as you will.
The nature of taking equipment in on consignment is somewhat unpredictable, we just do not know who will walk through our doors and with what equipment. We could never have predicted this Soviet invasion of sorts, brought in by a new consignor in early 2019. We got the Soviet imitation of just about every major camera from the 1950s and 1960s. The group included a Zorki-4, a Kiev 88, a Fed 2 (Type C, specifically), Kiev 4M and an Iskra 2. Soviet equipment like this can often be a bit of a double-edged sword. On one hand, we love the optics - talk about glass that has character! On the other hand, the cameras themselves were often manufactured with inconsistent workmanship or assembled with softer metals, prone to wearing out quickly. Now, if you get a Soviet camera overhauled, you'll have a surprisingly effective camera on your hands. There are several companies out there that will repair these cameras and even upgrade them, adding new features or replacing softer metal components with higher quality ones. We have had our eye on Arax in the Ukraine for a while, for example. They specialize in the Kiev 88 line, repairing the cameras and even selling new ones. We have yet to do any business with them though so we cannot speak from personal experience. ⠀
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FED 2
How often do you find yourself delving into the history of your camera? Do you question where it came from, what it has seen? Who it is, exactly? When we set out to look into the history of the Fed 2 camera, we ended up on quite a journey. It gave us a whole new kind of appreciation for this Soviet rangefinder.
Let's begin with the FED name. The camera is named in honor of Felix Edmundovich Dzerzhinksy. Felix accomplished much in his short life, most notably of which was the founding of the Soviet Secret Police, which he directed from 1917 until he died in 1926. Known as "Iron Felix," he was an active revolutionary and statesman; he died of a heart attack after delivering a two hour speech to the Bolshevik Central Committee. To say that he is a controversial figure does not even begin to scratch the surface... and this is the camera named in honor of him.⠀
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History lessons may seem an odd thing to mix with photography, but what you know of your camera affects your relationship with it and that will most definitely affect how you use it; thus, directly influencing your photography. It is an abstract approach for sure, but the deeper our understandings, the deeper we learn to look at the world, the more we will appreciate the equipment that allows us to document it.